Editorial: For the Record

Riitta Ojanperä, PhD, Director, Collections Management, Finnish National Gallery


May 26, 2016


Since the coming of Foucault and his contemporary poststructuralist theorists, the epistemological conception of knowledge has not been the same. The cultural positions of categories and subjects of knowledge and the formation of historical narratives have made institutions like museums more aware of their historiographic status. A significant interest in archives both as physical entities and as metaphors of understanding or controlling the world has manifested in contemporary artworks, as well as providing a focus for art-historical research questions.

The Finnish National Gallery’s archival collections have offered research material for art and art history discourse since the late 19th century, when the collecting and preserving of artists’ letters, among other archival objects, first began.

In March 2016 the Ateneum Art Museum of the Finnish National Gallery opened a new collections display, ‘Stories of Finnish Art’, which, together with the artworks, showcases the richness of archival materials from the collections. The display reveals the archives’ multifaceted nature as sources for art history, as historical reminiscences and as aesthetic inspiration for exhibition design.

A praiseworthy amount of labour and confidence in providing future generations with the ingredients of knowledge has been invested in indexing press clippings since the early 1890s. We are now happy to share, in digital form, the information content and nostalgic beauty of hand-written index cards in our archives, containing data on press articles or news items on more than 24,000 artists.

Featured image: An index card of archival material relating to Akseli Gallén-Kallela now available in digital format.

To view the archival index cards, visit:


You are welcome to read the current issue of FNG Research and to take part in narrating the stories of Finnish art and its international contexts.