Gloria Lauterbach, PhD Student, Contemporary Art, Aalto University School of Arts, Design and Architecture, Helsinki
A short chronology of my research
In my doctoral research I study large-scale metal sculptures and the way the material and the female sculptor’s body affect each other in the creative process. In order to understand this interrelationship – also expressible as material exchange in the field of New Materialism where I anchor this research – my case studies are two Finnish sculptors, Eila Hiltunen (1922–2003) and Laila Pullinen (1933–2015) and the metal works they created in the period 1961–1969. As a visual artist I complement my study by hand-folding a large-scale copper relief to investigate the theoretical considerations of my dissertation topic in practice.
I started my research with a review of selected works and working methods of Hiltunen and Pullinen from a neo-materialistic viewpoint. I have alternated the study phases within the archive collections of the Finnish National Gallery with my training in the traditional crafts technique of the standing seam – a technique derived from traditional roof making – under the supervision of a professional smith and roof maker. The standing seam technique is the main technique that I use for creating the work of art within my doctoral study. In a last part of my study, I will compare and analyse the findings collected by creating the large-scale copper relief with the data collected from the case studies on one hand and my theoretical frameworks on the other hand.
 Laila Pullinen’s archive material is located in a private collection and is currently being studied for this dissertation.
Read more — Download ‘Dissertation in Progress: A Topography of Art Research, Including Eila Hiltunen’s Files at Finnish National Gallery Archive Collections’ by Gloria Lauterbach as a PDF