Gill Crabbe, FNG Research
Materials research is a vital part of maintaining up-to date information on artworks in museum collections. Gill Crabbe meets FNG assistant researcher Hanne Tikkala, who is compiling a comprehensive database of the pigments used in Akseli Gallen-Kallela’s paintings
As one of the largest repositories of works by the Finnish visionary artist Akseli Gallen-Kallela (1865–1931), the Finnish National Gallery is continuously looking to refine and update its technical and art-historical understanding of the artist and his oeuvre, including knowledge of the materials he used. With some of his finest paintings fetching six-figure sums on the international art market, this continuing research is an essential part of maintaining the most up-to-date information on the artist, especially as it is often the FNG that collectors and museums approach to provide authentication of works in their possession. Since Gallen-Kallela – an iconic figure in Finnish art of the ‘Golden Age’ – was prey to forgers even during his own lifetime, research into the artist’s materials becomes even more important. Moreover, such data is also of indispensable help in solving conservation and restoration-related questions and problems. It also contributes to an increasing understanding of the techniques the artist evolved during his career, as well as providing corroborative evidence for art historians in their research.
Since 2017, FNG’s Senior Conservation Scientist Seppo Hornytzkyj and his colleague Hanne Tikkala, assistant researcher in the FNG’s materials research laboratory, have been conducting an extensive analysis of the pigments Gallen-Kallela used, selecting works spanning his entire career, from 1880 until 1929. The research has been partly funded by the Finnish Cultural Foundation, which has awarded Tikkala three year-long grants to cover her salary to undertake this research work for her PhD under the auspices of the University of Jyväskylä.
Read more — Download ‘Akseli Gallen-Kallela: Travels through his Colour Palette’, by Gill Crabbe, as a PDF