Featured image: Akseli Gallen-Kallela, Death and the Flower, woodcut, 9.5cm x 5.5cm Antell Collections, Finnish National Gallery / Sinebrychoff Art Museum Photo: Finnish National Gallery / Yehia Eweis

Gothic Modern

Albrecht Dürer, St Sebastian Bound to the Tree, 1500–02, engraving, 11.5cm x 7.1cm Antell Collections, Finnish National Gallery / Sinebrychoff Art Museum Photo: Finnish National Gallery / Hannu Pakarinen
Albrecht Dürer, St Sebastian Bound to the Tree, 1500–02, engraving, 11.5cm x 7.1cm
Antell Collections, Finnish National Gallery / Sinebrychoff Art Museum
Photo: Finnish National Gallery / Hannu Pakarinen Creative Commons – Copyright free

The international research and exhibition project Gothic Modern has been launched by the Finnish National Gallery / Ateneum Art Museum. The project schedule spans 2018 to 2025. ‘Gothic Modern: from Medieval and Northern Renaissance to Dark, Emotive, Uncanny Modern Art’ explores the pivotal importance of Gothic art for the artistic modernisms of the late 19th and early 20th centuries

  • An ambitious new approach to modern art focusing on the untold story of Nordic and Northern European medieval reinventions from the 1890s to the fall of the Weimar Republic.
  • Illuminates the Gothic as a core fascination for late 19th and early 20th-century art, crossing cultural borders, transcending nationalism, straddling war and its aftermath.
  • Reveals a hidden aspect of the work of Edvard Munch and Käthe Kollwitz through their deep attraction to the art of the ‘Gothic’ past, as well as how this resonated for their contemporaries, such as Theodor Kittelsen, Akseli Gallen-Kallela, Hugo Simberg and Helene Schjerfbeck.
  • Explores how these artists were inspired by medieval art through pilgrimages, eroticism and the ‘Dance of Death’ to create powerful new expressions of artistic and cultural identity: of sexuality and trauma; death and reconnection.
  • The focus is on major fin-de-siècle and early 20th-century Nordic, German and Russian artworks alongside rare medieval and Northern Renaissance objects
  • A compelling exploration of the Gothic for the 21st century, concerning the individual, gender, difference and transnational community, entwined with the dark, the emotive and uncanny, as well as connected cultures, places and new spaces of art.
    (Juliet Simpson, 2021)

Guest Curator
Professor Dr Juliet Simpson, Professor of Art History, and Chair of Visual Art and Cultural Memory, Coventry University, UK, juliet.simpson@coventry.ac.uk

Project Leader, Ateneum Art Museum – Finnish National Gallery
Dr Anna-Maria von Bonsdorff, Chief Curator of exhibitions and research, Finnish National Gallery / Ateneum Art Museum, Helsinki, abonsdor@fng.fi

Partners
National Museum, Oslo and Alte Nationalgalerie, Berlin


Hugo Simberg, Boy from Säkkijärvi, 1897, oil on canvas, 31.3cm x 43.5cm Ester and Jalo Sihtola Fine Arts Foundation Donation, Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Janne Mäkinen
Hugo Simberg, Boy from Säkkijärvi, 1897, oil on canvas, 31.3cm x 43.5cm
Ester and Jalo Sihtola Fine Arts Foundation Donation, Finnish National Gallery / Ateneum Art Museum
Photo: Finnish National Gallery / Janne Mäkinen
Creative Commons – Copyright free

Gothic Modern News and Upcoming Events

Forthcoming – Autumn 2021

  • ‘Gothic Connections and Connectors – Afterlives of Medieval Art in the Baltic and Nordic Countries: 1870s–1920s’, international research conference, organised by Prof. Juliet Simpson and Dr Anna-Maria von Bonsdorff, in the Ateneum Art Museum / Finnish National Gallery, Helsinki, Autumn 2021

Gothic Modern Publications – FNG Research New Online Series

Featured image: Akseli Gallen-Kallela, Death and the Flower, woodcut, 9.5cm x 5.5cm
Antell Collections, Finnish National Gallery / Sinebrychoff Art Museum
Photo: Finnish National Gallery / Yehia Eweis
Public domain. This image of a work of art is released under a CC0 licence, and can be freely used because the copyright (70 full calendar years after the death of the artist) has expired.

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