Magnus Enckell, Self-Portrait, 1918, oil on canvas, 42cm x 33.5cm Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Hannu Pakarinen

Magnus Enckell: Illustrated Catalogue

In connection with its major Magnus Enckell exhibition (23 October 2020 – 14 February 2021) the Ateneum Art Museum publishes a fully illustrated catalogue of the artist’s paintings and graphic works intended for researchers, museums and all other interested parties. A survey was conducted in the autumn of 2019 among Finnish museums, foundations and institutions, inquiring about works by Enckell they might have in their collections. The museums then collated and submitted a great deal of information and visual material regarding their collections. The survey also received significant amounts of information from their owners about works in private collections. The survey even uncovered some works whose whereabouts or owner was not previously known.

The catalogue covers Enckell’s oil paintings, pastels, gouaches, watercolours and works in mixed media, from his early works of the 1880s, up to 1925. Enckell’s prints were all created between 1900 and 1922, and a separate list has been compiled to give new visibility to this relatively overlooked aspect of his output. The works that were ultimately included in this catalogue, totalling 426 works, are those for which the museum was able to obtain photographs.

The catalogue is compiled and edited by curator Hanne Selkokari and coordinator Lene Wahlsten, Finnish National Gallery / Ateneum Art Museum. It is published in Finnish, Swedish and English.

Featured image: Magnus Enckell, Self-Portrait, 1918, oil on canvas, 42cm x 33.5cm, Finnish National Gallery / Ateneum Art Museum
Photo: Finnish National Gallery / Hannu Pakarinen
Public domain. This image of a work of art is released under a CC0 licence, and can be freely used because the copyright (70 full calendar years after the death of the artist) has expired.

Read more and download the catalogue with more information about its compilation as a pdf

Download the catalogue as a PDF >>

 

Two Research Interns Appointed at the Finnish National Gallery for 2021

Two research interns have been selected for the FNG research internship programme for 2021. The decisions were made based on the applications and the following points were underlined:

  • The point of view of the archives and collections: priority was given to students whose applications were based on a concrete and defined part of the FNG collections and especially to previously unstudied and/or topical materials
  • Preparation of the working plan and the research questions related to the chosen collections material

The FNG research intern programme has two aims. The Finnish National Gallery wishes to enhance the study of its collections, including artworks, archives, and objects. At the same time we wish to support students who choose to study subjects based on physical collections and objects, archive material and data.

The research interns at the Finnish National Gallery for 2021 are:

Emmi Halmesvirta, University of Helsinki

Artist Juhana Blomstedt (1937–2010) and his artistic process from the sketches to finished artworks; the sketchbooks and drawings in the Collection of the Finnish National Gallery / Ateneum Art Museum and the Juhana Blomstedt Archive in the Archive Collections of the Finnish National Gallery.

Ida Pakarinen, University of Helsinki

Recycled materials in artworks and art as part of nature; artists and artworks in the Collection of the Finnish National Gallery / Museum of Contemporary Art Kiasma (artists and artworks to be chosen and defined later) and making artist interviews that will be included in the Archive Collections of the Finnish National Gallery; related material in the Archive Collections.

The internship period is for three months. All of the interns will have their own in-house tutors to support them with studying their chosen material.

For more information about the FNG’s research internship programme: fngr@nationalgallery.fi

Call for Research Interns 2021

Finnish National Gallery
Call for Research Interns 2021

The Finnish National Gallery wishes to stimulate new interest in research topics based on its resources and collections and possible forthcoming exhibitions in its three museums. It also wishes to be an active and innovative partner in collaborating with the academic scene in reinforcing humanistic values and the importance of understanding the world and human culture by creating new, meaningful and relevant knowledge.

For this purpose the Finnish National Gallery organises a research internship programme for master’s-level art or cultural history students internationally.

The programme has two aims. The Finnish National Gallery wishes to enhance the study of its collections including artworks, archives, and objects. At the same time it wishes to support students who choose to write their master’s level theses on subjects based on physical collections and objects, archive material and data and develop their practical skills for utilising archival material in research.

In 2021 the Finnish National Gallery is prepared to receive three research interns.

The internship period is three months with the intern under contract to the Finnish National Gallery. The salary is equivalent to the salary of university trainees.

The intern chooses in advance the material of the Finnish National Gallery collections that he/she wishes to study, and agrees on studying it during the internship period. It is desirable that the material will form part of the intern’s thesis. The intern is required, during the period of their internship, to write a text in English, based on the material and the research done at the National Gallery. The text may be published in one of the sections of the FNG Research web magazine.

Each intern will have an in-house professional tutor at the Finnish National Gallery. The tutor and the intern will meet on average weekly.

The Finnish National Gallery is not responsible for the academic supervision of the intern’s master’s thesis. The role of the National Gallery is to support the intern’s skills in collections research practices.

Are you interested? If so, please send your application by e-mail to fngr@nationalgallery.fi or by post to FNG Research, Senior Researcher Hanna-Leena Paloposki, Kaivokatu 2, 00100 Helsinki, Finland.

Applications can be written in English, Finnish or Swedish.

The deadline for applications is 16 November 2020 and the appointments will be announced by 15 December 2020.

The interns are appointed by the FNG Research editorial board.

For more information about the application process and programme, please click on the link below:

How to apply for the research internship programme at the Finnish National Gallery for master’s-level art and cultural history students >>

Jean Fouquet, Virgin and Child Surrounded by Angels, 1452–58

Conference: Emotional Objects – Northern Renaissance Afterlives in Object, Image and Word, 1890s–1920s

Call for papers

Call for papers deadline: 

30 Sep 2020

Institute:

The Warburg Institute

Conference Dates:

2223 April 2021, Warburg Institute, University of London

In 1920 Louis Gillet, the French art historian and internationalist, published a rousing article defending the repatriation of stolen fragments from the Van Eycks’ Ghent Altarpiece from Germany to Belgium as ‘un drapeau’. His ensign of a Northern patrimony pitched as an emotive call for a different cultural ‘belonging’ post-1918 was part of a pattern. Jean Fouquet’s Melun Diptych was vaunted as both a ‘jewel’, yet the opprobrium of France. At its most charged was the identification of Matthias Grünewald’s Isenheim Altarpiece with extreme War trauma, bodily and mental distress during its 1918–19 Munich display. Yet these Northern Renaissance ‘Afterlives’ remain under-explored.

This symposium aims to develop new knowledge of how these and other responses to the Northern Renaissance (in the period spanning the early 1900s–1920s) become activated via objects, images and words in potently emotive contexts of reception, image transfer, and cultural memory-making to negotiate conflicts of the present.

Key areas of focus will be to consider the significance of new histories, narratives and emblems of Northern Renaissance visual, material and literary cultures, as well as Northern Renaissance cultural and religious legacies. In particular, the aim will be deeper investigation of their entwining with the cultural modernities of the early twentieth century.

Please send proposals of 300 words max, with a short biog. (150 words) to Professor Juliet Simpson, Principal Organiser (Coventry University / Warburg Institute), juliet.simpson@sas.ac.uk by 30 September 2020 (midnight BST). Applicants will be notified of outcomes in early October 2020. A publication based on the conference is planned.

>> To the conference website

>> Click here for the full conference programme

Featured image: Jean Fouquet, Virgin and Child Surrounded by Angels, 1452–58, Royal Museum of Fine Arts, Antwerp
Public domain. This image of a work of art is released under a CC0 licence, and can be freely used because the copyright (70 full calendar years after the death of the artist) has expired.

Cover of the print version of European Revivals - From Dreams of a Nation to Places of Transnational Exchange, depicting the illustration by Akseli Gallen-Kallela for the novel, Seven Brothers, by Aleksis Kivi, 1907, watercolour and pencil, 23.5cm x 31.5cm. Ahlström Collection, Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Hannu Aaltonen

European Revivals – From Dreams of a Nation to Places of Transnational Exchange

Table of Contents

Foreword

Anna-Maria von Bonsdorff and Riitta Ojanperä
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Visions of Identity, Dreams of a Nation

  • Ossian, Kalevala and Visual Art: a Scottish Perspective
    Murdo Macdonald
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  • Nationality and ­Community in ­Norwegian Art Criticism around 1900
    Tore Kirkholt
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  • Celticism, ­Internationalism and Scottish Identity: Three Key Images in Focus
    Frances Fowle
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  • Listening to the Voices: Joan of Arc as a ­Spirit-Medium in the Celtic Revival
    Michelle Foot
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Artists’ Places, Location and Meaning

  • Inventing Folk Art: ­Artists’ Colonies in ­Eastern ­Europe and their Legacy
    Marina Dmitrieva
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  • The Vernacular Revival in the Polish Tatras c. 1900: Arts, Patronage, ­Collecting and  Documentation
    Edyta Barucka
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  • Önningeby and Skagen: ­Investigating Two Artists’ ­Colonies with Social Network Analysis
    Anna-Maria Wiljanen
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  • Constructing ­Mythologies of the Germanen in Nineteenth- and Twentieth-­century Germany
    Iain Boyd Whyte
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Concepts for Revival Movement

  • From Nostalgia to Where…? National Romanticism, Esotericism, and the ‘Golden Age of Finnish Art’
    Marja Lahelma
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  • The Artist’s House: ­Symbolism and Utopia
    Laura Gutman
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  • Visions of History: ­Gerhard Munthe’s Rhythm and Revival in fin-de-siècle Norway
    Tonje H. Sørensen
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  • Craft, Ornament and its Meaning in Finnish ­Architecture around 1900
    Charlotte Ashby
    Download >>
  • Encounters between Art and Folk Art around 1900 in Norway: Gerhard Munthe, Theodor ­Kittelsen and ­Frida Hansen
    Vibeke Waallann Hansen
    Download >>

Featured image: Cover of the print version of European Revivals – From Dreams of a Nation to Places of Transnational Exchange. On the cover: Akseli Gallen-Kallela, Illustration for the novel, Seven Brothers, by Aleksis Kivi, 1907, watercolour and pencil, 23.5cm x 31.5cm. Ahlström Collection, Finnish National Gallery / Ateneum Art Museum
Photo: Finnish National Gallery / Hannu Aaltonen

Read more — Download ‘European Revivals – From Dreams of a Nation to Places of Transnational Exchange’ (ISBN 978-952-7371-09-1) as a PDF

Download the complete book as a PDF (screen version) >>
(best for narrow, e.g. mobile displays, or for continuous flow reading within a browser)

Download the complete book as a PDF (print version) >>
(best for viewing on displays large enough and supporting viewing the document by spreads, or for creating double-sided printouts)

Call for Research Interns 2020

Finnish National Gallery
Call for Research Interns 2020

The Finnish National Gallery wishes to raise new interest in research topics based on its resources and collections. It also wishes to be an active and innovative partner in collaborating with the academic scene in reinforcing humanistic values and the importance of understanding the world and human culture by creating new, meaningful and relevant knowledge.

For this purpose the Finnish National Gallery organises a research internship programme for art or cultural history students (preferably master’s-level) internationally.

The programme has two aims. The Finnish National Gallery wishes to enhance the study of its collections including artworks, archives, and objects. At the same time it wishes to support students who choose to write their master’s level theses on subjects based on physical collections and objects, archive material and data.

In 2020 the Finnish National Gallery is prepared to receive three research interns.

The internship period is three months with the intern under contract to the Finnish National Gallery. The salary is equivalent to the salary of university trainees.

The intern chooses in advance the material of the Finnish National Gallery collections that he/she wishes to study, and agrees on studying it during the internship period. It is desirable that the material will form part of the intern’s thesis. The intern is required, during the period of their internship, to write a text in English, based on the material and the research done at the National Gallery. The text may be published in one of the sections of the FNG Research web magazine.

Each intern will have an in-house professional tutor at the Finnish National Gallery. The tutor and the intern will meet on average weekly.

The Finnish National Gallery is not responsible for the academic supervision of the intern’s master’s thesis. The role of the National Gallery is to support the intern’s skills in collections research practices.

Are you interested? If so, please send your application by e-mail to fngr@nationalgallery.fi or by post to FNG Research, Senior Researcher Hanna-Leena Paloposki, Kaivokatu 2, 00100 Helsinki, Finland.

Applications can be written in English, Finnish or Swedish.

The deadline for applications is 15 November 2019 and the appointments will be announced by 13 December 2019.

The interns are appointed by the FNG Research editorial board.

For more information about the application process and programme, please click on the link below:

How to apply for the research internship programme at the Finnish National Gallery for master’s-level art and cultural history students >>

Three Research Interns Appointed at the Finnish National Gallery for 2019

The three research interns of the FNG research internship programme for 2019 have been appointed. The selections were made based on the applications and the following points were underlined:

  • The point of view of the archives and collections: priority was given to students whose applications were based on a concrete and defined part of the FNG collections and especially to previously unstudied and/or topical materials
  • Preparation of the working plan and the research questions related to the chosen collections material

The FNG research intern programme has two aims. The Finnish National Gallery wishes to enhance the study of its collections, including artworks, archives, and objects. At the same time we wish to support students who choose to write their master’s-level theses on subjects based on physical collections and objects, archive material and data.

The research interns of the Finnish National Gallery for 2019 are:

Emma Lilja, University of Helsinki

Artworks by Sami artists in the collection of the Finnish National Gallery / Museum of Contemporary Art Kiasma and archival material related to them, including interviews

Mariliis Rebane, University of Helsinki

Exhibitions at the Ateneum: changes in exhibition design (the shift from salon hanging to the white cube); photographs of exhibitions from 1890s onwards, Archive of the Finnish Art Society (minutes, exhibition lists), press cuttings collection and other related archival material

Eljas Suvanto, University of Helsinki

The donation of artworks made by the art collector and Master of Law with court training Arvid Sourander to the Fine Arts Academy of Finland (now the Finnish National Gallery), with a focus on the donation of over 30 artworks by the Finnish painter Fanny Churberg (1845–1892) in 1940: art collection of the Finnish National Gallery, Archives of the Fine Arts Academy of Finland and Professor Aune Lindström, press cuttings collection

The internship period is for three months. All of the interns will have their own in-house tutors to support them with studying their chosen material.

The call for research interns for 2020 will be launched in autumn 2019. We hope again to receive applications from art and cultural history students interested in our collections, who are from different universities in Finland, but also those from other countries.

For more information about the FNG’s research internship programme: fngr@nationalgallery.fi

Tyko Sallinen, Barn Dance, 1918, oil on canvas, 114.5cm x 138cm. Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Antti Kuivalainen

Conferences: [no title] NORDIK XII 2018, Copenhagen 24–27 October 2018

Conference Session: Art, Artists and Art Institutions in Times of War and Conflicts

Hanna-Leena Paloposki, PhD, Senior Researcher, Finnish National Gallery, Helsinki

The Nordic Association of Art Historians (NORDIK) organises an academic conference every three years. In 2015 the conference was held in Reykjavik and this year it took place in Copenhagen at the University of Copenhagen. Three keynote lectures and 18 sessions were held during the three conference days.

I co-managed a two-part session, ‘Art, Artists and Art Institutions in Times of War and Conflicts’, along with Maija Koskinen (University of Helsinki). The theme originates from our research interests. Maija Koskinen is due to defend her doctoral thesis, Artistically Regenerating and Politically Topical The exhibitions of Kunsthalle Helsinki 192868, in January 2019. The thesis examines Kunsthalle Helsinki and its impact on the Finnish art field in the context of power and politics before, during and after the Second World War. She will focus next on the Finnish art field during the Cold War. I wrote my PhD (2012) on The role of art exhibitions in Finnish-Italian relations concerning the visual arts from the 1920s to the end of the Second World War. My current research topic is Finnish art exhibitions in the 1930s in the international, political, and nationalist contexts and in promoting Finland.

Featured image: Tyko Sallinen, Barn Dance, 1918, oil on canvas, 114.5cm x 138cm. Finnish National Gallery / Ateneum Art Museum
Photo: Finnish National Gallery / Antti Kuivalainen

Read more — Download the description of the conference session as a PDF

Download the Description of the Conference Session as a PDF >>

 

For details of the full conference programme and abstracts, visit

https://nordikxii.dk/images/NORDIK_XII_-_Full_programme_2018.10.15_3.pdf

Call for Research Interns 2019

Finnish National Gallery
Call for Research Interns 2019

The Finnish National Gallery wishes to raise new interest in research topics based on its resources and collections. It also wishes to be an active and innovative partner in collaborating with the academic scene in reinforcing humanistic values and the importance of understanding the world and human culture by creating new, meaningful and relevant knowledge.

For this purpose the Finnish National Gallery has a research internship programme for art or cultural history students (preferably master’s-level) internationally to work with us as research interns.

The programme has two aims. The Finnish National Gallery wishes to enhance the study of its collections including artworks, archives, and objects. At the same time it wishes to support students who choose to write their master’s level theses on subjects based on physical collections and objects, archive material and data.

In 2019 the Finnish National Gallery is prepared to receive three research interns.

The internship period is three months with the intern under contract to the Finnish National Gallery. The salary is equivalent to the salary of university trainees.

The intern chooses in advance the material of the Finnish National Gallery collections that he/she wishes to study, and agrees on studying it during the internship period. It is desirable that the material will form part of the intern’s thesis. The intern is required, during the period of their internship, to write a text in English, based on the material and the research done at the National Gallery. The text may be published in one of the sections of the FNG Research web magazine.

Each intern will have two in-house professional tutors at the Finnish National Gallery. The tutors and the intern will meet on average weekly.

The Finnish National Gallery is not responsible for the academic supervision of the intern’s master’s thesis. The role of the National Gallery is to support the intern’s skills in collections research practices.

Are you interested? If so, please send your application by e-mail to fngr@nationalgallery.fi or by post to FNG Research, Chief curator Hanna-Leena Paloposki, Kaivokatu 2, 00100 Helsinki, Finland.

Applications can be written in English, Finnish or Swedish.

The deadline for applications is 15 November 2018 and the appointments will be announced by 14 December 2018.

The interns are appointed by the FNG Research editorial board.

For more information about the application process and programme, please click on the link below:

How to apply for the research internship programme at the Finnish National Gallery for master’s-level art and cultural history students >>

Akseli Gallen-Kallela, En Saga (Jean Sibelius and Fantasy Landscape), 1894, gouache and watercolour on paper, 31cm x 17cm and 24cm x 30cm. Ainola Foundation. Photo Finnish National Gallery Hannu Pakarinen

Association for Art History (AAH) Annual Conference 2018, Courtauld Institute of Art & King’s College London

5–7 April 2018, London

Here we publish the Finnish National Gallery’s contribution to the 2018 AAH Conference comprising conference abstracts from the two Finnish National Gallery delegates

Featured image: Akseli Gallen-Kallela, En Saga (Jean Sibelius and Fantasy Landscape), 1894, gouache and watercolour on paper, 31cm x 17cm and 24cm x 30cm. Ainola Foundation. Photo: Finnish National Gallery / Hannu Pakarinen

Between Sounding Canvas and Visual Music: from Sibelius to Kupka

Anna-Maria von Bonsdorff, PhD, Chief Curator, Ateneum Art Museum, Finnish National Gallery, Helsinki

Session: Seeing and Hearing the ‘Beyond’: Art, Music and Mysticism in the Long 19th century

Download the Conference Abstract as a PDF >>

The Nordic Art Journal: Writing New Art History

Susanna Pettersson , PhD, Director , Ateneum Art Museum, Finnish National Gallery, Helsinki

Session: Remembering and Forgetting the Enlightenment

Download the Conference Abstract as a PDF >>