Hanna-Leena Paloposki, PhD, Senior Researcher, Finnish National Gallery, Helsinki
28 November 2018
This year important steps have been taken to make the FNG collection – its artworks, archive material and objects – more available to everyone. We have written about them in FNG Research, too. In the July issue we discussed collections metadata. A huge amount of work has been – and continues to be – undertaken to improve the available metadata now that we have migrated the collections into the new collections management system. The metadata work is now inextricably linked with presenting the collections online. We have also opened up the images of our copyright-free artworks online into the public domain with the CC0 license. We will have better information to offer and images available in a more convenient way when the new website is launched in 2019.
One example of this metadata work is the cataloguing into our new system of correspondence on the art acquisitions of the businessman and brewery owner Paul Sinebrychoff. Although some of this material has already been available online via the Sinebychoff Art Museum website, it will soon be accessible via the same webpage as the artworks belonging to the Paul and Fanny Sinebrychoff Art Collection which nowadays forms part of the FNG / Sinebrychoff Art Museum collection. Our curator, who has a long-standing and extensive knowledge of the collection, is linking the letters to the Old Masters mentioned that are now in the FNG collection, together with facsimiles of the letters and transcriptions of their content.
To give another example, the media art at the FNG / Museum of Contemporary Art Kiasma is being assigned more precise and versatile metadata as works of this kind are being recatalogued. Collections research is thus being carried out within the Finnish National Gallery every day and it is for the benefit for all the users, either in-house or in the wider world.
Many of the exhibitions of the three FNG museums and their publications shed light on the research being carried out into the collections. In this issue we reproduce two articles from the catalogue Urban Encounters. Finnish Art in the Twentieth Century accompanying the current exhibition at the Ateneum. Both the book and the exhibition scrutinise the art collection from new angles, offering a chance to get acquainted with works the public might not have been able to see before. Also in this issue of FNG Research, an interview with Dr. Marja Lahelma, author of the new book on Akseli Gallen-Kallela in the series Artists of the Ateneum, tells us how you can find a different interpretation of a very well-known and much studied artist in Finland, who is also well represented in the FNG collection.
I hope you enjoy reading our latest issue of FNG Research.
Featured image: Telegram dated 26 March 1909 from Paul Sinebrychoff in Helsinki to Professor Osvald Sirén in Stockholm about an acquisition of a painting assumed to be by Rubens. Paul Sinebrychoff’s Letters 1900–1909. The Archive of the Finnish Art Society. Archive Collections, Finnish National Gallery
Photo: Finnish National Gallery / Kirsi Halkola