Skip to content
  • About FNG Research
  • Latest Issues
    • Issue No. 3/2023
    • Issue No. 2/2023
    • Issue No. 1/2023
    • Issue No. 3/2022
    • Issue No. 2/2022
    • Issue No. 1/2022
  • Editorials
  • Peer Reviewed Articles
  • Articles
  • Conferences and Other Events
  • Research Projects
  • Our Experts
  • FNG Resources
    • Introduction
    • Posts to FNG Resources
  • To the Finnish National Gallery Website >>
  • To the Art Collections >>
Search
Close

FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

cropped-cropped-fng_research_logo_2018_may.png

May 23, 2018 lagafi

Post navigation

Previous Post
cropped-cropped-fng_research_logo_2018_may.png
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy

Helene Schjerfbeck – An Artist’s Life

Magnus Enckell: Illustrated Catalogue

European Revivals – From Dreams of a Nation to Places of Transnational Exchange

European Revivals - From Dreams of a Nation to Places of Transnational Exchange

Issues

  • 2023 No. 3
  • 2023 No. 2
  • 2023 No. 1
  • 2022 No. 1
  • 2022 No. 2
  • 2022 No. 3
  • 2021 No. 1
  • 2021 No. 2
  • 2021 No. 3
  • 2020 No. 1
  • 2020 No. 2
  • 2020 No. 3
  • 2020 No. 4
  • 2020 No. 5
  • 2020 No. 6
  • 2019 No. 1
  • 2019 No. 2
  • 2019 No. 3
  • 2019 No. 4
  • 2019 No. 5
  • 2019 No. 6
  • 2018 No. 1
  • 2018 No. 2
  • 2018 No. 3
  • 2018 No. 4
  • 2018 No. 5
  • 2018 No. 6
  • 2017 No. 1
  • 2017 No. 2
  • 2017 No. 3
  • 2017 No. 4
  • 2017 No. 5
  • 2017 No. 6
  • 2016 No. 1
  • 2016 No. 2
  • 2016 No. 3
  • 2016 No. 4
  • 2016 No. 5
  • 2016 No. 6
  • 2015 No. 1
  • 2015 No. 2
  • 2015 No. 3

Recent Items

  • Editorial: Underpinning Exhibitions with International Research
  • Lighting up Colour
  • Echoes of Impressionism in Finland
  • Peder Balke’s Visions of the Far North
  • Crossing Borders, Making Links
  • A Bridge between Worlds
  • Call for Research Interns 2024
  • Editorial: Recognitions and Re-recognitions. The Homecoming of Finland’s Most Famous Artist
  • A Journey along Kiasma’s International Collection
  • Entry to a Land that Is Not
  • Boys Will Be Boys? Some Notes on Tom of Finland
  • Editorial: Fresh Insights from a New Look at our National Collections
  • A Question of Time
  • Helene Schjerfbeck – An Artist’s Life
  • A Discovered Painting: Albert Edelfelt’s Study for Woman from Arles
  • How Albert Edelfelt’s Portrait of Mme Dani Turned into Study for Woman from Arles
  • On the Will of Preservation
  • Alexander Lauréus – Journey to Success
  • Two Research Interns Selected by the Finnish National Gallery for 2023
  • Editorial: Merging Past and Present
  • Albert Edelfelt Goes on Tour
  • Albert Edelfelt – The Golden Boy of Finnish Art
  • Albert Edelfelt and French Art Criticism – The Most Parisian of Finns and the Most Finnish of Parisians
  • Albert Edelfelt and His International Network
  • Albert Edelfelt’s Artworks in the Ateneum Art Museum’s Collection and His Role as an Art Expert and Intermediary
  • A Life in Conservation
  • Hauntings: Taking a Look at Elga Sesemann’s Landscapes
  • Call for Research Interns 2023
  • Editorial: The Art Experiment, Bodily Approaches and Material Support
  • ARS22 – Living Encounters
  • The Flowering of Science and Art
  • Indian Yellow and Titanium White – A Material-centred Perspective on the Pigments Used by Artists Helene Schjerfbeck and Akseli Gallen-Kallela in the 1920s
  • The Ateneum to the Backbone – 19th-Century Anatomy Drawings in the Finnish National Gallery Collections
  • Mementos on Display: Portrait Miniatures in the Sinebrychoffs’ Art Collection
  • Editorial: Researching the Finnish National Gallery’s Collections
  • Celebrating Three Decades of Collecting Contemporary Art
  • Milk, Monosodium Glutamate, Chewing Gum and Dust – Lasting and Evanescent Material in Kiasma’s Collections
  • Dialogues, Complaints, Coffee, and Dough. When the Viewer Participates
  • ‘I Wish to Be a Field of Constant Transformation’ – Eino Ruutsalo’s Experimental Approaches in the 1960s
  • Recycled Utopia – Where Art and Everyday Life Coalesce
  • Out in the Field – a Gothic Modern Tour
  • Two Research Interns Appointed at the Finnish National Gallery for 2022
  • Editorial: Celebrating the Milestones
  • Art and Travel: The First Steps in the Formation of Paul and Fanny Sinebrychoff’s Collection in 1883–99

Archive

  • December 2023 (7)
  • August 2023 (4)
  • April 2023 (8)
  • November 2022 (9)
  • July 2022 (6)
  • March 2022 (8)
  • November 2021 (8)
  • May 2021 (10)
  • January 2021 (9)
  • November 2020 (7)
  • October 2020 (8)
  • September 2020 (1)
  • July 2020 (5)
  • May 2020 (4)
  • March 2020 (5)
  • January 2020 (2)
  • November 2019 (5)
  • September 2019 (6)
  • July 2019 (7)
  • May 2019 (5)
  • March 2019 (4)
  • January 2019 (4)
  • November 2018 (5)
  • September 2018 (5)
  • July 2018 (5)
  • May 2018 (4)
  • March 2018 (4)
  • January 2018 (5)
  • November 2017 (3)
  • September 2017 (5)
  • July 2017 (6)
  • May 2017 (6)
  • March 2017 (5)
  • January 2017 (6)
  • November 2016 (6)
  • September 2016 (5)
  • July 2016 (8)
  • May 2016 (3)
  • March 2016 (4)
  • January 2016 (4)
  • November 2015 (4)
  • September 2015 (4)
  • July 2015 (6)

Tags

Albert Edelfelt Alexander Lauréus Altarpieces Amedeo Modigliani Anna-Maria von Bonsdorff arthistorical canons art history artists’ travels Ateneum Ateneum Art Museum Bernd Pappe collections display conference conferences conservation contemporary art Demonstrating Minds European art Finnish art Finnish Art Society FInnish National Gallery Finnish Neoimpressionism FNG Research Gill Crabbe Hanna-Leena Paloposki Helene Schjerfbeck Helsinki house museum Hugo Simberg Ilya Repin Japanomania Kiasma Kirsi Eskelinen Leevi Haapala Marja Sakari materials research media art miniatures Mona Hatoum Natalia Nordmann New Materialism Nikolai Shuvalov Paul and Fanny Sinebrychoff Art Collection Paul Sinebrychoff performance art Peter Adolf Hall political art Reetta Kuojärvi-Närhi religious art research Riitta Ojanperä Sinebrychoff Art Museum Susanna Pettersson Tate technical art history The Finnish Art Society The Finnish National Gallery video art Werner Holmberg Women artists

Categories

  • 2015 No. 1
  • 2015 No. 2
  • 2015 No. 3
  • 2016 No. 1
  • 2016 No. 2
  • 2016 No. 3
  • 2016 No. 4
  • 2016 No. 5
  • 2016 No. 6
  • 2017 No. 1
  • 2017 No. 2
  • 2017 No. 3
  • 2017 No. 4
  • 2017 No. 5
  • 2017 No. 6
  • 2018 No. 1
  • 2018 No. 2
  • 2018 No. 3
  • 2018 No. 4
  • 2018 No. 5
  • 2018 No. 6
  • 2019 No. 1
  • 2019 No. 2
  • 2019 No. 3
  • 2019 No. 4
  • 2019 No. 5
  • 2019 No. 6
  • 2020 No. 1
  • 2020 No. 2
  • 2020 No. 3
  • 2020 No. 4
  • 2020 No. 5
  • 2020 No. 6
  • 2021 No. 1
  • 2021 No. 2
  • 2021 No. 3
  • 2022 No. 1
  • 2022 No. 2
  • 2022 No. 3
  • 2023 No. 1
  • 2023 No. 2
  • 2023 No. 3
  • Articles
  • Catalogues
  • Conferences and Other Events
  • Editorials
  • FNG Resources
  • General
  • Issues
  • Lectures
  • Peer Reviewed Articles
  • Research Projects

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
Powered by WordPress.com.
Back to top