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FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

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May 23, 2018 lagafi

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Magnus Enckell: Illustrated Catalogue

Issues

2022 No. 1
2021 No. 1
2021 No. 2
2021 No. 3
2020 No. 1
2020 No. 2
2020 No. 3
2020 No. 4
2020 No. 5
2020 No. 6
2019 No. 1
2019 No. 2
2019 No. 3
2019 No. 4
2019 No. 5
2019 No. 6
2018 No. 1
2018 No. 2
2018 No. 3
2018 No. 4
2018 No. 5
2018 No. 6
2017 No. 1
2017 No. 2
2017 No. 3
2017 No. 4
2017 No. 5
2017 No. 6
2016 No. 1
2016 No. 2
2016 No. 3
2016 No. 4
2016 No. 5
2016 No. 6
2015 No. 1
2015 No. 2
2015 No. 3

Recent Items

Editorial: Researching the Finnish National Gallery’s Collections
Celebrating Three Decades of Collecting Contemporary Art
Milk, Monosodium Glutamate, Chewing Gum and Dust – Lasting and Evanescent Material in Kiasma’s Collections
Dialogues, Complaints, Coffee, and Dough. When the Viewer Participates
‘I Wish to Be a Field of Constant Transformation’ – Eino Ruutsalo’s Experimental Approaches in the 1960s
Recycled Utopia – Where Art and Everyday Life Coalesce
Out in the Field – a Gothic Modern Tour
Two Research Interns Appointed at the Finnish National Gallery for 2022
Editorial: Celebrating the Milestones
Art and Travel: The First Steps in the Formation of Paul and Fanny Sinebrychoff’s Collection in 1883–99
A Collector’s Dream
Living Encounters: Creating a Landmark Contemporary Art Show
Observations on the Painting Technique and Materials Used in the Painting of Lake View, by Akseli Gallen-Kallela
Body, Trace, Perception
Gothic Modern Sensibilities: Vaults of Matter and Spirit via a Russian Arch
Call for Research Interns 2022
Editorial: Past, Present and Future
Gothic Modern
Writing the Gothic: Defining the Character of Medieval Heritage in Estonia from the late 19th Century to the 1930s
The Artist, his Admirers, his Dealers and Inheritors – Ilya Repin and his Career in the Republic of Finland
Sources for Ilya Repin Researchers in the Archive Collections of the Finnish National Gallery
A Renaissance Masterpiece in the Sinebrychoff Art Museum – Virgin and Child with John the Baptist and St Anthony the Abbot, by Jacopo Bassano
Magnus Enckell – Decoding an Enigma
Finnish Landscapes on Tour
Juhana Blomstedt’s Art and Thought 1970–80
A New Research Project: ‘Pioneering Women Artists in the 19th Century’
Editorial: Taking Research Interests to the Next Level
Tones of Black – Magnus Enckell’s Early Work
The Interpretation of Dreams: Fantasy and the Musical Stages of Emotion
Magnus Enckell’s Resurrection
Magnus Enckell’s Dreams of Monumental Works
Enckell for Artists – Associations, Support, Acquisitions
Magnus Enckell: Illustrated Catalogue
Strong, Self-Sufficient and Sharp – Nordic Women Sculptors 1870–1940
Two Research Interns Appointed at the Finnish National Gallery for 2021
Editorial: Taking the Long View
Tiepolo and the Russian Connection
Magnus Enckell on the Islands in the Gulf of Finland
Colour Revolution, Vitalism and the Ambivalence of Modern Arcadia
From Delectation to Degeneration: Splashes of Chromophobia in Enckelliana
From Chaos to the Security of Home: the Late Work of Magnus Enckell
Does Gender Matter? Leena Luostarinen and the Art Debate Taking Place in Finnish Daily Newspapers in the 1980s and 1990s
Editorial: Reuniting Tiepolos in 2020
Tiepolos travelling North