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FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

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November 28, 2016 Admin

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Issues

2020 No. 1
2020 No. 2
2020 No. 3
2020 No. 4
2020 No. 5
2020 No. 6
2019 No. 1
2019 No. 2
2019 No. 3
2019 No. 4
2019 No. 5
2019 No. 6
2018 No. 1
2018 No. 2
2018 No. 3
2018 No. 4
2018 No. 5
2018 No. 6
2017 No. 1
2017 No. 2
2017 No. 3
2017 No. 4
2017 No. 5
2017 No. 6
2016 No. 1
2016 No. 2
2016 No. 3
2016 No. 4
2016 No. 5
2016 No. 6
2015 No. 1
2015 No. 2
2015 No. 3

Recent Items

Editorial: Reuniting Tiepolos in 2020
Tiepolos travelling North
Peer-Reviewed Article: Lucas Cranach’s Legacies –‘Primitive’ and Rooted identities of Art and Nation at the European Fin de Siècle
50 Hz: Mika Vainio the Sound Artist
Found Voices and Meaningful Silences: Situating Mika Vainio’s Sound Installations and their Spatial Practices
Still Life: A Personal Archive
Elga Sesemann – A Woman Artist Rediscovered
Call for Research Interns 2021
Conference: Emotional Objects – Northern Renaissance Afterlives in Object, Image and Word, 1890s–1920s
Editorial: Inspirational Artworks
Making Art’s Milestones
Page, Canvas, Wall: Visualising the History of Art
1842 – The Art History of Handbooks and Anachronic Icons
Peer-Reviewed Article: Res(is)tance of Remains
Editorial: Living in the Material World
A Sense of Materiality, Simplification and Ascetic Minimalism
A Changing Landscape
Akseli Gallen-Kallela: Travels through his Colour Palette
Editorial: ‘When Museums Are Open Again, the Crisis Is Over’
When a Passionate Collector Meets a Museum
Moomin-like Joy and the Seppo Fränti Art Collection
European Revivals in 2020 and beyond
Lectio Praecursoria: In Search of Scientific and Artistic Landscape
Editorial: European Revivals Ten Years On
European Revivals – From Dreams of a Nation to Places of Transnational Exchange
Editorial: Support Strategies
Beyond Borders
Helene Schjerfbeck – only an Image?
Revisiting the Collection Display at the Ateneum Art Museum in 1959
‘All the Leaves in the World’: the Subjectile as a Problem
Editorial: On the Trail of the Old Masters
Helsinki’s Cranach Beauties
Showing Schjerfbeck in London
Artist Ian McKeever on the Raw Power of Helene Schjerfbeck’s Self-portraits
Finnish Women Artists in the Modern World
Call for Research Interns 2020
Editorial: Art and the More-than-human World
Time out of Joint – Temporality and the Anthropocene in Contemporary Art
From Speciesism to a Possibility of Coexistence
Museum-as-Compost – Matter, Rhythms, and the Nonhuman
Shamans, Star Charts, and Ecological Lore: Towards Nature-centric Thinking
Hand-Knotted Landscape – Reflections on Outi Pieski’s ‘Our Land, Our Running Colours’
Hidden Influences
Editorial: Weather Report – Voicing a Call for Nordic Responsibility

Today’s Top Content

Page, Canvas, Wall: Visualising the History of Art
Encounters between Art, Humanity and the Modern
Touch Wood – Rescuing Rare Panel Paintings
František Kupka: Sounding Abstraction – Musicality, Colour and Spiritualism
One Among Many. Alma Heikkilä’s Work for the Kiasma Commission by Kordelin
Destabilised Gaze Positions and Reminders of Mortality
Lecture: Gothic Modernity and Nordic Art
Conferences: Changes in Visual Culture – Japanomania in the Nordic Countries 1875–1918
To Touch and Be Touched: Affective, Immersive and Critical Contemporary Art?
Layers of Fantasy – Gunnar Berndtson’s Almée

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