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FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

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November 28, 2016 Admin

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Magnus Enckell: Illustrated Catalogue

Issues

2022 No. 2
2022 No. 1
2021 No. 1
2021 No. 2
2021 No. 3
2020 No. 1
2020 No. 2
2020 No. 3
2020 No. 4
2020 No. 5
2020 No. 6
2019 No. 1
2019 No. 2
2019 No. 3
2019 No. 4
2019 No. 5
2019 No. 6
2018 No. 1
2018 No. 2
2018 No. 3
2018 No. 4
2018 No. 5
2018 No. 6
2017 No. 1
2017 No. 2
2017 No. 3
2017 No. 4
2017 No. 5
2017 No. 6
2016 No. 1
2016 No. 2
2016 No. 3
2016 No. 4
2016 No. 5
2016 No. 6
2015 No. 1
2015 No. 2
2015 No. 3

Recent Items

Editorial: The Art Experiment, Bodily Approaches and Material Support
ARS22 – Living Encounters
The Flowering of Science and Art
Indian Yellow and Titanium White – A Material-centred Perspective on the Pigments Used by Artists Helene Schjerfbeck and Akseli Gallen-Kallela in the 1920s
The Ateneum to the Backbone – 19th-Century Anatomy Drawings in the Finnish National Gallery Collections
Mementos on Display: Portrait Miniatures in the Sinebrychoffs’ Art Collection
Editorial: Researching the Finnish National Gallery’s Collections
Celebrating Three Decades of Collecting Contemporary Art
Milk, Monosodium Glutamate, Chewing Gum and Dust – Lasting and Evanescent Material in Kiasma’s Collections
Dialogues, Complaints, Coffee, and Dough. When the Viewer Participates
‘I Wish to Be a Field of Constant Transformation’ – Eino Ruutsalo’s Experimental Approaches in the 1960s
Recycled Utopia – Where Art and Everyday Life Coalesce
Out in the Field – a Gothic Modern Tour
Two Research Interns Appointed at the Finnish National Gallery for 2022
Editorial: Celebrating the Milestones
Art and Travel: The First Steps in the Formation of Paul and Fanny Sinebrychoff’s Collection in 1883–99
A Collector’s Dream
Living Encounters: Creating a Landmark Contemporary Art Show
Observations on the Painting Technique and Materials Used in the Painting of Lake View, by Akseli Gallen-Kallela
Body, Trace, Perception
Gothic Modern Sensibilities: Vaults of Matter and Spirit via a Russian Arch
Call for Research Interns 2022
Editorial: Past, Present and Future
Gothic Modern
Writing the Gothic: Defining the Character of Medieval Heritage in Estonia from the late 19th Century to the 1930s
The Artist, his Admirers, his Dealers and Inheritors – Ilya Repin and his Career in the Republic of Finland
Sources for Ilya Repin Researchers in the Archive Collections of the Finnish National Gallery
A Renaissance Masterpiece in the Sinebrychoff Art Museum – Virgin and Child with John the Baptist and St Anthony the Abbot, by Jacopo Bassano
Magnus Enckell – Decoding an Enigma
Finnish Landscapes on Tour
Juhana Blomstedt’s Art and Thought 1970–80
A New Research Project: ‘Pioneering Women Artists in the 19th Century’
Editorial: Taking Research Interests to the Next Level
Tones of Black – Magnus Enckell’s Early Work
The Interpretation of Dreams: Fantasy and the Musical Stages of Emotion
Magnus Enckell’s Resurrection
Magnus Enckell’s Dreams of Monumental Works
Enckell for Artists – Associations, Support, Acquisitions
Magnus Enckell: Illustrated Catalogue
Strong, Self-Sufficient and Sharp – Nordic Women Sculptors 1870–1940
Two Research Interns Appointed at the Finnish National Gallery for 2021
Editorial: Taking the Long View
Tiepolo and the Russian Connection
Magnus Enckell on the Islands in the Gulf of Finland