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FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

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November 28, 2016November 28, 2016 Admin

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Magnus Enckell: Illustrated Catalogue

Issues

2022 No. 3
2022 No. 2
2022 No. 1
2021 No. 1
2021 No. 2
2021 No. 3
2020 No. 1
2020 No. 2
2020 No. 3
2020 No. 4
2020 No. 5
2020 No. 6
2019 No. 1
2019 No. 2
2019 No. 3
2019 No. 4
2019 No. 5
2019 No. 6
2018 No. 1
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2018 No. 5
2018 No. 6
2017 No. 1
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2017 No. 3
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2017 No. 6
2016 No. 1
2016 No. 2
2016 No. 3
2016 No. 4
2016 No. 5
2016 No. 6
2015 No. 1
2015 No. 2
2015 No. 3

Recent Items

Editorial: Merging Past and Present
Albert Edelfelt Goes on Tour
Albert Edelfelt – The Golden Boy of Finnish Art
Albert Edelfelt and French Art Criticism – The Most Parisian of Finns and the Most Finnish of Parisians
Albert Edelfelt and His International Network
Albert Edelfelt’s Artworks in the Ateneum Art Museum’s Collection and His Role as an Art Expert and Intermediary
A Life in Conservation
Hauntings: Taking a Look at Elga Sesemann’s Landscapes
Call for Research Interns 2023
Editorial: The Art Experiment, Bodily Approaches and Material Support
ARS22 – Living Encounters
The Flowering of Science and Art
Indian Yellow and Titanium White – A Material-centred Perspective on the Pigments Used by Artists Helene Schjerfbeck and Akseli Gallen-Kallela in the 1920s
The Ateneum to the Backbone – 19th-Century Anatomy Drawings in the Finnish National Gallery Collections
Mementos on Display: Portrait Miniatures in the Sinebrychoffs’ Art Collection
Editorial: Researching the Finnish National Gallery’s Collections
Celebrating Three Decades of Collecting Contemporary Art
Milk, Monosodium Glutamate, Chewing Gum and Dust – Lasting and Evanescent Material in Kiasma’s Collections
Dialogues, Complaints, Coffee, and Dough. When the Viewer Participates
‘I Wish to Be a Field of Constant Transformation’ – Eino Ruutsalo’s Experimental Approaches in the 1960s
Recycled Utopia – Where Art and Everyday Life Coalesce
Out in the Field – a Gothic Modern Tour
Two Research Interns Appointed at the Finnish National Gallery for 2022
Editorial: Celebrating the Milestones
Art and Travel: The First Steps in the Formation of Paul and Fanny Sinebrychoff’s Collection in 1883–99
A Collector’s Dream
Living Encounters: Creating a Landmark Contemporary Art Show
Observations on the Painting Technique and Materials Used in the Painting of Lake View, by Akseli Gallen-Kallela
Body, Trace, Perception
Gothic Modern Sensibilities: Vaults of Matter and Spirit via a Russian Arch
Call for Research Interns 2022
Editorial: Past, Present and Future
Gothic Modern
Writing the Gothic: Defining the Character of Medieval Heritage in Estonia from the late 19th Century to the 1930s
The Artist, his Admirers, his Dealers and Inheritors – Ilya Repin and his Career in the Republic of Finland
Sources for Ilya Repin Researchers in the Archive Collections of the Finnish National Gallery
A Renaissance Masterpiece in the Sinebrychoff Art Museum – Virgin and Child with John the Baptist and St Anthony the Abbot, by Jacopo Bassano
Magnus Enckell – Decoding an Enigma
Finnish Landscapes on Tour
Juhana Blomstedt’s Art and Thought 1970–80
A New Research Project: ‘Pioneering Women Artists in the 19th Century’
Editorial: Taking Research Interests to the Next Level
Tones of Black – Magnus Enckell’s Early Work
The Interpretation of Dreams: Fantasy and the Musical Stages of Emotion