Skip to content
  • About FNG Research
  • Latest Issues
    • Issue No. 1/2021
    • Issue No. 6/2020
    • Issue No. 5/2020
    • Issue No. 4/2020
    • Issue No. 3/2020
    • Issue No. 2/2020
  • Editorials
  • Peer Reviewed Articles
  • Articles
  • Conferences and Other Events
  • Research Projects
  • Our Experts
  • FNG Resources
    • Introduction
    • Posts to FNG Resources
  • To the Finnish National Gallery Website >>
  • To the Art Collections >>
Search
Close

FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

FNG Research logo

November 28, 2016November 28, 2016 Admin

Post navigation

Previous Post
FNG Research logo
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy

Magnus Enckell: Illustrated Catalogue

Issues

  • 2021 No. 1
  • 2020 No. 1
  • 2020 No. 2
  • 2020 No. 3
  • 2020 No. 4
  • 2020 No. 5
  • 2020 No. 6
  • 2019 No. 1
  • 2019 No. 2
  • 2019 No. 3
  • 2019 No. 4
  • 2019 No. 5
  • 2019 No. 6
  • 2018 No. 1
  • 2018 No. 2
  • 2018 No. 3
  • 2018 No. 4
  • 2018 No. 5
  • 2018 No. 6
  • 2017 No. 1
  • 2017 No. 2
  • 2017 No. 3
  • 2017 No. 4
  • 2017 No. 5
  • 2017 No. 6
  • 2016 No. 1
  • 2016 No. 2
  • 2016 No. 3
  • 2016 No. 4
  • 2016 No. 5
  • 2016 No. 6
  • 2015 No. 1
  • 2015 No. 2
  • 2015 No. 3

Recent Items

  • Editorial: Taking Research Interests to the Next Level
  • Tones of Black – Magnus Enckell’s Early Work
  • The Interpretation of Dreams: Fantasy and the Musical Stages of Emotion
  • Magnus Enckell’s Resurrection
  • Magnus Enckell’s Dreams of Monumental Works
  • Enckell for Artists – Associations, Support, Acquisitions
  • Magnus Enckell: Illustrated Catalogue
  • Strong, Self-Sufficient and Sharp – Nordic Women Sculptors 1870–1940
  • Two Research Interns Appointed at the Finnish National Gallery for 2021
  • Editorial: Taking the Long View
  • Tiepolo and the Russian Connection
  • Magnus Enckell on the Islands in the Gulf of Finland
  • Colour Revolution, Vitalism and the Ambivalence of Modern Arcadia
  • From Delectation to Degeneration: Splashes of Chromophobia in Enckelliana
  • From Chaos to the Security of Home: the Late Work of Magnus Enckell
  • Does Gender Matter? Leena Luostarinen and the Art Debate Taking Place in Finnish Daily Newspapers in the 1980s and 1990s
  • Editorial: Reuniting Tiepolos in 2020
  • Tiepolos travelling North
  • Peer-Reviewed Article: Lucas Cranach’s Legacies –‘Primitive’ and Rooted identities of Art and Nation at the European Fin de Siècle
  • 50 Hz: Mika Vainio the Sound Artist
  • Found Voices and Meaningful Silences: ­Situating Mika Vainio’s Sound Installations and their Spatial Practices
  • Still Life: A Personal Archive
  • Elga Sesemann – A Woman Artist Rediscovered
  • Call for Research Interns 2021
  • Conference: Emotional Objects – Northern Renaissance Afterlives in Object, Image and Word, 1890s–1920s
  • Editorial: Inspirational Artworks
  • Making Art’s Milestones
  • Page, Canvas, Wall: Visualising the History of Art
  • 1842 – The Art History of Handbooks and Anachronic Icons
  • Peer-Reviewed Article: Res(is)tance of Remains
  • Editorial: Living in the Material World
  • A Sense of Materiality, Simplification and Ascetic Minimalism
  • A Changing Landscape
  • Akseli Gallen-Kallela: Travels through his Colour Palette
  • Editorial: ‘When Museums Are Open Again, the Crisis Is Over’
  • When a Passionate Collector Meets a Museum
  • Moomin-like Joy and the Seppo Fränti Art Collection
  • European Revivals in 2020 and beyond
  • Lectio Praecursoria: In Search of Scientific and Artistic Landscape
  • Editorial: European Revivals Ten Years On
  • European Revivals – From Dreams of a Nation to Places of Transnational Exchange
  • Editorial: Support Strategies
  • Beyond Borders
  • Helene Schjerfbeck – only an Image?

Archive

  • January 2021 (9)
  • November 2020 (7)
  • October 2020 (8)
  • September 2020 (1)
  • July 2020 (5)
  • May 2020 (4)
  • March 2020 (5)
  • January 2020 (2)
  • November 2019 (5)
  • September 2019 (6)
  • July 2019 (7)
  • May 2019 (5)
  • March 2019 (4)
  • January 2019 (4)
  • November 2018 (5)
  • September 2018 (5)
  • July 2018 (5)
  • May 2018 (4)
  • March 2018 (4)
  • January 2018 (5)
  • November 2017 (3)
  • September 2017 (5)
  • July 2017 (6)
  • May 2017 (6)
  • March 2017 (5)
  • January 2017 (6)
  • November 2016 (6)
  • September 2016 (5)
  • July 2016 (8)
  • May 2016 (3)
  • March 2016 (4)
  • January 2016 (4)
  • November 2015 (4)
  • September 2015 (4)
  • July 2015 (6)

Tags

AAH Annual Conference Altarpieces Amedeo Modigliani Anna-Maria von Bonsdorff Archaic art art history Ateneum Ateneum Art Museum Bernd Pappe Bettina Gockel Cathedrals Colour asceticism conference conferences conservation contemporary art Demonstrating Minds Edouard Manet Erkki Kurenniemi European art European Revivals Finnish art FInnish National Gallery FNG Research Gill Crabbe Hanna-Leena Paloposki Helene Schjerfbeck Helsinki installations Japanomania Kati Kivinen Kiasma Kirsi Eskelinen Leevi Haapala Lena Holger Marja-Terttu Kivirinta Marja Sakari miniatures Mona Hatoum Monumental art Paul Sinebrychoff Pori Church Reetta Kuojärvi-Närhi Religious art research Riitta Ojanperä Sinebrychoff Art Museum Spirituality Susanna Pettersson Symbolism symbolist art Tampere Cathedral Tate The Finnish Art Society The Finnish National Gallery the nude male Timelessness video art Väinö Blomstedt Yrjö Hirn

Categories

  • 2015 No. 1
  • 2015 No. 2
  • 2015 No. 3
  • 2016 No. 1
  • 2016 No. 2
  • 2016 No. 3
  • 2016 No. 4
  • 2016 No. 5
  • 2016 No. 6
  • 2017 No. 1
  • 2017 No. 2
  • 2017 No. 3
  • 2017 No. 4
  • 2017 No. 5
  • 2017 No. 6
  • 2018 No. 1
  • 2018 No. 2
  • 2018 No. 3
  • 2018 No. 4
  • 2018 No. 5
  • 2018 No. 6
  • 2019 No. 1
  • 2019 No. 2
  • 2019 No. 3
  • 2019 No. 4
  • 2019 No. 5
  • 2019 No. 6
  • 2020 No. 1
  • 2020 No. 2
  • 2020 No. 3
  • 2020 No. 4
  • 2020 No. 5
  • 2020 No. 6
  • 2021 No. 1
  • Articles
  • Catalogues
  • Conferences and Other Events
  • Editorials
  • FNG Resources
  • General
  • Issues
  • Lectures
  • Peer Reviewed Articles
  • Research Projects

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
Powered by WordPress.com.
Back to top