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FNG Research

FNG Research is the online magazine of the Finnish National Gallery. This online publication aims to promote the research activities of the Gallery, research being a part of its core functions. The Finnish National Gallery consists of three museums – the Ateneum Art Museum, the Museum of Contemporary Art Kiasma, the Sinebrychoff Art Museum – and the Department for Collections Management. FNG Research is a magazine for art-museum and art-history professionals internationally. The site is updated bi-monthly with new developments and content.

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November 28, 2016November 28, 2016 Admin

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Magnus Enckell: Illustrated Catalogue

Issues

2021 No. 1
2020 No. 1
2020 No. 2
2020 No. 3
2020 No. 4
2020 No. 5
2020 No. 6
2019 No. 1
2019 No. 2
2019 No. 3
2019 No. 4
2019 No. 5
2019 No. 6
2018 No. 1
2018 No. 2
2018 No. 3
2018 No. 4
2018 No. 5
2018 No. 6
2017 No. 1
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2017 No. 6
2016 No. 1
2016 No. 2
2016 No. 3
2016 No. 4
2016 No. 5
2016 No. 6
2015 No. 1
2015 No. 2
2015 No. 3

Recent Items

Editorial: Taking Research Interests to the Next Level
Tones of Black – Magnus Enckell’s Early Work
The Interpretation of Dreams: Fantasy and the Musical Stages of Emotion
Magnus Enckell’s Resurrection
Magnus Enckell’s Dreams of Monumental Works
Enckell for Artists – Associations, Support, Acquisitions
Magnus Enckell: Illustrated Catalogue
Strong, Self-Sufficient and Sharp – Nordic Women Sculptors 1870–1940
Two Research Interns Appointed at the Finnish National Gallery for 2021
Editorial: Taking the Long View
Tiepolo and the Russian Connection
Magnus Enckell on the Islands in the Gulf of Finland
Colour Revolution, Vitalism and the Ambivalence of Modern Arcadia
From Delectation to Degeneration: Splashes of Chromophobia in Enckelliana
From Chaos to the Security of Home: the Late Work of Magnus Enckell
Does Gender Matter? Leena Luostarinen and the Art Debate Taking Place in Finnish Daily Newspapers in the 1980s and 1990s
Editorial: Reuniting Tiepolos in 2020
Tiepolos travelling North
Peer-Reviewed Article: Lucas Cranach’s Legacies –‘Primitive’ and Rooted identities of Art and Nation at the European Fin de Siècle
50 Hz: Mika Vainio the Sound Artist
Found Voices and Meaningful Silences: Situating Mika Vainio’s Sound Installations and their Spatial Practices
Still Life: A Personal Archive
Elga Sesemann – A Woman Artist Rediscovered
Call for Research Interns 2021
Conference: Emotional Objects – Northern Renaissance Afterlives in Object, Image and Word, 1890s–1920s
Editorial: Inspirational Artworks
Making Art’s Milestones
Page, Canvas, Wall: Visualising the History of Art
1842 – The Art History of Handbooks and Anachronic Icons
Peer-Reviewed Article: Res(is)tance of Remains
Editorial: Living in the Material World
A Sense of Materiality, Simplification and Ascetic Minimalism
A Changing Landscape
Akseli Gallen-Kallela: Travels through his Colour Palette
Editorial: ‘When Museums Are Open Again, the Crisis Is Over’
When a Passionate Collector Meets a Museum
Moomin-like Joy and the Seppo Fränti Art Collection
European Revivals in 2020 and beyond
Lectio Praecursoria: In Search of Scientific and Artistic Landscape
Editorial: European Revivals Ten Years On
European Revivals – From Dreams of a Nation to Places of Transnational Exchange
Editorial: Support Strategies
Beyond Borders
Helene Schjerfbeck – only an Image?