Tag: Hanna-Leena Paloposki

Fanny Churberg, Burnt Clearing, Landscape from Uusimaa, 1872, oil on canvas, 54cm x 85,5cm, Ahlström Collection, Ateneum Art Museum, Finnish National Gallery. Photo: Finnish National Gallery / Yehia Eweis

Conferences: Association of Art Historians (AAH) Annual Conference 2016, Edinburgh

Admin

7–9 April 2016

—

Here we publish the Finnish National Gallery’s contribution to the 2016 AAH Conference comprising extended conference abstracts from the three Finnish National Gallery delegates

—

Featured image: Fanny Churberg, Burnt Clearing, Landscape from Uusimaa, 1872, oil on canvas, 54cm x 85,5cm, Ahlström Collection, Ateneum Art Museum, Finnish National Gallery. Photo: Finnish National Gallery / Yehia Eweis

—

From Puffy Cumulus Clouds to the Lapping Waves of a Lake

Anne-Maria Pennonen, Curator, Ateneum Art Museum, Finnish National Gallery // PhD student, University of Helsinki

Session: Air and the Visual

Download the Conference Abstract as a PDF >>

—

Kullervo’s Story: Mythology, National Aspiration and the Construction of a Nordic Cultural Identity and ‘Artisthood’ 

Riitta Ojanperä, PhD, Director, Collections Management, Finnish National Gallery

Session: The Idea of North: Myth-making and Identities

Download the Conference Abstract as a PDF >>

—

To Lend or not to Lend? Finnish Art Exhibitions Abroad in the 1930s and the Fine Arts Academy’s Loans Policy

Hanna-Leena Paloposki, PhD, Archive and Library Manager, Finnish National Gallery

Session: The Physical Circulation of Artworks and its Consequences for Art History

Download the Conference Abstract as a PDF >>

—

Artist Hugo Simberg’s postcard to his twin brother Paul, Tiflis (Tbilisi) July, 15th, 1899. Hugo Simberg Archive. Archive Collections, Finnish National Gallery.

Editorial: Your Chance to Make New Research more Visible

Hanna-Leena Paloposki

Hanna-Leena Paloposki, PhD, Archive and Library Manager, Finnish National Gallery

 

January 25, 2016

 

Research is carried out in many ways at the Finnish National Gallery. Exhibitions, different kinds of publications – including this FNG Research online magazine – and articles are the most visible results. But our collections are studied in many other ways, too. An excellent example of the latter is the panel workshop for conservators that was recently organised at the Sinebrychoff Art Museum, during which several paintings on panel were studied and conserved. An article on it is published in this issue.

The Finnish National Gallery has an important role in enabling research to be undertaken by those outside the organisation, too. Our collections function as subjects for study and as important source material for students and academics, for other museums preparing exhibitions and publications, and to private researchers and others, too.

Now FNG Research is opening a platform for new peer-reviewed scientific articles. We welcome papers in English studying the collections, history or activities of the Finnish National Gallery or its predecessors. This includes a wide range of different kinds of possible research fields and subjects, taking into consideration that our collections stretch from international Old Master paintings to contemporary art and archive collections, and that the activities range from exhibitions to conservation, documentation and public programmes.

We are eagerly looking forward to international collaboration in discovering new approaches, findings, results and points of view through our web magazine.

The guidelines for offering the submissions and the description of the peer-review process are to be found at the section ‘About FNG Research’ or click the link below.

—

Featured image: Artist Hugo Simberg’s postcard to his twin brother Paul, Tiflis (Tbilisi) July, 15th, 1899. Hugo Simberg Archive. Archive Collections, Finnish National Gallery.

…

Download the Full Guidelines for Submitting Articles to FNG Research >>

—